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16 Never Ever Getting Back Together Again by Taylor Swift

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2012 single by Taylor Swift

"We Are Never Ever Getting Back Together"
Cover artwork of Taylor Swift's single "We Are Never Ever Getting Back Together"
Single by Taylor Swift
from the album Carmine
Released Baronial thirteen, 2012 (2012-08-thirteen)
Studio
  • Conway (Los Angeles)
  • MXM (Stockholm)
Genre
  • Trip the light fantastic toe-pop
  • popular rock
  • bubblegum pop
  • electropop
  • electro-folk
Length 3:12
Characterization Big Motorcar
Songwriter(s)
  • Taylor Swift
  • Max Martin
  • Shellback
Producer(southward)
  • Max Martin
  • Shellback
  • Taylor Swift[i]
Taylor Swift singles chronology
"Both of Us"
(2012) 		"Nosotros Are Never Ever Getting Back Together"
(2012) 		"Begin Again"
(2012)
Music video
"We Are Never Ever Getting Back Together" on YouTube

"Nosotros Are Never Ever Getting Back Together" is a vocal past American singer-songwriter Taylor Swift, taken from her fourth studio album, Ruby (2012). It was released for digital download and to U.S. pop radio equally the lead single from Red on Baronial thirteen, 2012, by Large Machine Records. Swift wrote and produced the song with Max Martin and Shellback. An upbeat dance-popular and pop rock song, "We Are Never Ever Getting Back Together" contains pulsing synthesizers, processed guitar riffs, bass drums, and a spoken-word span. Its lyrics limited Swift's frustration with an ex-lover who wants to rekindle their relationship. An alternating version was released to U.Southward. land radio on August 21, 2012.

Music critics praised the track for its tricky melody and radio-friendly sound, though some described its lyrics as subpar for Swift'southward songwriting abilities. The song appeared in twelvemonth-cease lists past Rolling Rock, Fourth dimension, and The Village Vocalization. "We Are Never Ever Getting Dorsum Together" peaked atop the charts in Canada and New Zealand, and reached the top 5 in Australia, Ireland, Israel, Japan, and the U.K. On the U.S. Billboard Hot 100, the single debuted at number 72 and rose to number one the following week, registering one of the biggest single-week jumps in chart history. The single spent a record-breaking 9 sequent weeks topping the Hot Country Songs chart, and received multi-platinum certifications in Australia, Nippon, New Zealand, and the U.S.

The music video for the song was released on August 30, 2012. The accolades that "We Are Never Ever Getting Back Together" received include a Billboard Music Award for Summit Country Vocal, a Grammy Award nomination for Record of the Year, a CMT Music Honor nomination for Best Music Video, and a People's Choice Accolade nomination for Favorite Song. Swift included the vocal on the set lists of three of her world tours: the Ruby-red Tour (2013–xiv), the 1989 World Bout (2015), and Reputation Stadium Bout (2018). A re-recorded version of the song is featured on Red (Taylor'south Version), Swift'southward 2021 re-recording of her 2012 album.

Background and release [edit]

After writing Speak Now (2010) entirely solo, Swift opted to interact with dissimilar songwriters and producers for Cerise. Thus, she called Max Martin and Shellback, two songwriters and producers whose piece of work she admired, to hash out a possible collaboration. The trio conceived the concept for "We Are Never Ever Getting Back Together" shortly after a friend of Swift's ex-boyfriend walked into the recording studio and spoke of rumors he heard that Swift and her sometime flame were reuniting. After the friend left, Martin and Shellback asked Swift to elaborate on the details of the relationship, which she described every bit "break up, go back together, break up, go back together, just, ugh, the worst". When Martin suggested that they write nearly the incident, Swift began playing the guitar and singing, "Nosotros are never always......", and the vocal flowed rapidly afterwards. She described the procedure as ane of the most humorous experiences she had while recording, and said the musical partners matched her expectations. An audio prune of her sarcastically speaking near breakups can exist heard earlier the terminal chorus.[two]

The single was the atomic number 82 single from Red.[3] Swift premiered the single on Baronial thirteen, 2012, during a live conversation on Google+[iv] with the song released on Google Play that day[5] for digital download and to iTunes and Amazon.com the next day, August 14.[6] [7] A lyric video also premiered on Swift'south official Vevo that aforementioned mean solar day.[8] The song was released to Developed Contemporary radio stations on August 13, 2012[9] and to mainstream radio stations the next day.[x] The song was released to state radio on Baronial 21, 2012.[11] The music video for the song premiered on Baronial xxx, 2012.[12] A limited edition individually numbered CD unmarried was released to Swift's official store and Amazon.com on September four, 2012. The limited edition CD unmarried was packaged with a "We Are Never E'er Getting Back Together" T-shirt and backpack.[13] The CD single was besides available for individual purchase.[xiv] The CD single was released exclusively to U.s. Walmart stores the same day.[xv]

Composition and lyrics [edit]

The three-minute-and-twelve-second song[5] features electronic heavy production accompanied to acoustic guitars, a banjo, and a pop music vocal styling, a musical transition for Swift.[sixteen] It was written in the primal of G Major with a common time signature and a slow tempo of fourscore-six beats per minute, with Swift'southward vocals spanning one octave and five notes, from K3 to East5.[17] The rails features an acoustic guitar (some of its sounds are reversed) and various synthesizers over an electronic drum crush. The country radio release featured a unlike instrumental arrangement. The alternate mix replaced the guitar, drum machine, and synthesizers with a mandolin, fiddle, steel guitar and snare drums.[18] The song was written past Swift, along with Martin and Shellback.[18] [19] The lyrics hash out Swift's frustration towards a former male lover who wants to rekindle their human relationship. Jonathan Keefe of Camber Magazine describes information technology equally a bubblegum popular number[20] [21] while AllMusic categorized the vocal under the dance-popular genre.[22] James Lancho, reviewing the album Red called the song "sassy popular-rock in the mould of Katy Perry",[23] and Marc Hogan of Spin deemed the unmarried "saucy electro-pop".[24] The New York Times dubbed it a "snarky electro-folk tune".[25]

Critical reception [edit]

Professional ratings
Review scores
Source Rating
Billboard 4.five/v[26]
Common Sense Media [27]
Digital Spy [28]
Rolling Stone [29]

Upon initial release, the song received positive reviews from music critics. Robert Myers of The Village Voice felt that the song, while "good", was "not Swift at her all-time" and speculated that the conclusion to release it as a lead single was made for commercial reasons: "I doubt 'Never Always' is even close to being the all-time song on Red; it'south a teaser, an indication to her fans of what'due south coming up. That sounds like commercial calculation of the worst kind, but I don't think it is. Swift's connection with her audience is perhaps more of import than her connection with her boyfriends. And there is one brilliant touch on: the spoken scrap that comes after the middle 8."[xxx] Grady Smith of Amusement Weekly drew comparisons with Avril Lavigne and praised the "undeniable, instantly catchy claw".[eighteen] While describing the song every bit "joyous", he nonetheless expressed concern that the vocal'southward "juvenile sensibilities" marked a regression following Swift'southward work on Speak At present.[18] Jody Rosen of Rolling Rock noted that the vocal's "hooks, plural, take a zing that'south more than Stockholm than Nashville. But it's unmistakably Taylor: a witty human relationship postmortem, delivered in inimitable girlie-girl patois. And this scrap – "I'm merely, I hateful, this is exhausting. Like, we are never getting back together. Like, ever" – might be the nigh sublime spoken-word interlude in pop since Barry White died."[29]

Marah Eakin of The A.Five. Club commented on "what a practiced song it is": "With its thumping kicking drum, clipped syncopation, and mildly snarky lyrics, it's a teen dream in the vein of Swift'due south other sing-along jams like "Honey Story" or "You lot Vest with Me."[31] Kevin Coyne of Country Universe gave the song a declining D grade, calling it a "huge step astern".[32] James Montgomery of MTV felt the "fantastic" vocal may "represent a turning point in her career ... Swift no longer has any interest in being the victim ... [She] displays a defiant, liberated streak". He noted that the vocal seemed "custom-crafted to dominate radio ... all shiny, silvery guitars and walloping, whomping choruses".[33] Amy Sciarretto of Popcrush praised Swift for capturing a "universal feeling in an upbeat, empowering song" and described it equally "ane of the catchiest tunes she's ever penned".[34] Jonathan Keefe of Camber Mag described "the melodic hook" as the song's best attribute merely criticized Swift'due south "stilted phrasing". He described her vocal performance as a "complete misfire", pointing out that her vox was at its "most unpleasant and nasal". However, Keefe warned that it was "premature" to say the "full-on popular" song "signals anything more than a temporary breakup".[xx] David Malitz of The Washington Post institute the song immature and remarked, "the chorus is catchy only if this is representative of what awaits on Red, it's hard to exist besides excited".[35] Glenn Gamboa of Newsday described information technology as "anthemic in a slick pop way, rather than her usual modern country way ... Part of T. Swizzle's amuse is the way she makes her songs sound genuine and conversational and 'Never Ever' is no exception".[36] Baton Dukes of Taste of Country stated that "[Swift] captures the anger of young love gone wrong amend than anyone since, well…[Taylor] Swift" and that the song's tune is "difficult to comprehend apace."[37] Yet, Camille Mann of CBS News considered the vocal to exist "catchy".[38]

"Nosotros Are Never Always Getting Dorsum Together" featured on 2012 year-finish lists by Rolling Stone (2d),[39] Time (fourth),[40] The Guardian (5th),[41] The Village Voice 'southward Pazz & Jop critics' poll (6th),[42] PopMatters (11th),[43] NME (24th),[44] and Outcome (40th).[45] The single was named the 169th best song of 2010–2014 on Pitchfork'south "The 200 Best Tracks of the Decade So Far (2010-2014)" list.[46] Information technology also received a Grammy nomination for Record of the Year for the 2013 Grammy Awards.[47] In 2019, Stereogum ranked the song as the 71st best vocal of the 2010s.[48] Rolling Stone ranked the vocal every bit the thirteenth-best female country song of the 2000s and 2010s.[49] The Tampa Bay Times ranked it 4th on their listing of the all-time 2010s pop songs.[50]

Accolades [edit]

Year Organization Award/piece of work Result Ref
2012 Guinness World Records Fastest Selling Unmarried in Digital History Won [51]
2013 Academy of State Music Awards Best Music Video Nominated [52]
Billboard Music Awards Top Streaming Vocal (Video) Nominated [53]
Top Country Vocal Won
BMI Awards Laurels-Winning Songs Won [54]
CMT Music Awards Video of the Year Nominated [55]
Grammy Awards Tape of the Year Nominated [56]
MTV Video Music Awards Japan Best Female person Video Nominated [57]
Best Popular Video Nominated
All-time Karaoke Video Nominated
Much Music Video Awards International Video of the Year Nominated [58]
Myx Music Award Favourite International Video Nominated [59]
Nickelodeon Kids' Choice Awards Favourite Vocal Nominated [60]
Argentina Nickelodeon Kids' Selection Awards Favorite International Song Nominated [61]
People'southward Option Awards Favourite Vocal Nominated [62]
Radio Disney Music Awards All-time Break Upward Song Won [63]
[64]
Sirius XM Holdings Awards International Video of the Year Nominated [65]
International Single of the Year Nominated
Teen Selection Awards Option Pause-Upward Vocal Nominated [66]
Choice Country Song Won
MTV Millennial Awards Hitting Chicle del Año (Catchiest Hit of the Year) Won [67]
Hito Music Awards All-time Western Song Won [68]
2014 World Music Awards World'southward All-time Song Won [69]
Earth's Best Video Nominated
ASCAP Awards Nearly Performed Vocal Won [70]
BMI Pop Awards Laurels-Winning Song Won [71]

Commercial performance [edit]

In the U.S., "We Are Never Ever Getting Dorsum Together" debuted at number 72 on the Billboard Hot 100 nautical chart week ending August 25, 2012, based on two days of airplay.[72] It rose to number one the following week, registering one of the biggest single-week jumps in chart history.[73] Giving Swift her first Hot 100 number i, it fabricated Swift the country artist with the most elevation-ten nautical chart entries (11, tying with Kenny Rogers).[74] It spent two consecutive weeks at number one[75] and was the kickoff country vocal to spend three or more weeks at number i after Kenny Rogers'southward "Lady" (1980).[76] The single stayed in the top 10 for thirteen non-consecutive weeks.[77] On the Radio Songs chart, "Nosotros Are Never Ever Getting Back Together" entered at number 25, the highest debut for a song by a female person country artist.[78] Information technology peaked at number 3 for iii non-consecutive weeks, giving Swift her fourth top-ten entry.[79] On the Hot Digital Songs chart, "We Are Never Ever Getting Back Together" debuted at number i with first-calendar week sales of 623,000 digital copies in the week ending September 1, 2012, setting a record for the fastest-selling digital unmarried by a female creative person in Billboard nautical chart history.[note 1]

Portrait of Connie Smith

The single debuted at number thirteen on the Hot Country Songs nautical chart week ending September ane, 2012, based on airplay alone.[82] Subsequently Billboard changed the methodology for the nautical chart, incorporating digital sales and streaming into nautical chart rankings in addition to airplay, "We Are Never Ever Getting Back Together" ascended to number one for the chart dated October 20, 2012, giving Swift her seventh Hot Country Songs number one.[83] This prompted industry contend over the status of Swift every bit a country artist, given that "Nosotros Are Never Ever Getting Back Together" received lukewarm reception at state radio and never reached the elevation ten of the Country Airplay chart, and was more than favorably received at pop radio.[84] It remained on the top spot of the Hot State Songs for ix sequent weeks, breaking the eight consecutive weeks record of Connie Smith'south "One time a Twenty-four hours" (1965) for the longest unbroken run at number one for a female creative person.[85] The song spent a total of x weeks at number 1,[86] a career all-time for Swift and a record for the longest-run at number i for a female artist.[note two]

"Nosotros Are Never Ever Getting Back Together" peaked within the top ten of Billboard airplay charts including Developed Contemporary, where it reached number 10 for vii non-consecutive weeks,[89] Adult Top 40, where it reached number seven,[90] and Mainstream Top 40, where it peaked at number two for four non-consecutive weeks.[91] Roughly two months later its release, the single surpassed 2 million U.S. digital sales by September 2012, making Swift the first land artist two have half-dozen digital singles each sell over ii meg copies.[92] Past July 2019, "We Are Never Always Getting Dorsum Together" had sold 4.i million copies in the U.Due south.[93] The Recording Industry Association of America (RIAA) certified the unmarried half dozen times platinum, denoting 6 million units based on sales and streaming.[94] In neighboring Canada, the single peaked atop the Canadian Hot 100, Swift'due south 2nd number i following "Today Was a Fairytale" (2010).[95] It was certified aureate by Music Canada (MC).[96]

Exterior North America, "We Are Never Ever Getting Back Together" peaked atop the record chart in New Zealand, where it was certified double platinum by Recorded Music NZ (RMNZ).[97] The single peaked within the top 10 on charts in Israel (number two),[98] Commonwealth of australia (number iii),[99] Ireland (number four),[100] the U.K. (number four),[101] Norway (number six),[102] Hungary (number nine),[103] and Spain (number nine).[104] It peaked at number eight on Euro Digital Song Sales, a Billboard nautical chart monitoring digital singles beyond Europe.[105] The track was certified platinum in Sweden and the U.Chiliad.,[106] [107] and five times platinum in Commonwealth of australia.[108] Past October 2014, the single had sold over 616,000 digital copies in the U.Chiliad.[109] In Japan, "We Are Never Ever Getting Dorsum Together" was a chart success, peaking at number two on the Japan Hot 100 and remained on the nautical chart until 2015, iii years afterwards its release.[110] The Recording Industry Clan of Japan (RIAJ) awarded the unmarried a "1000000" certification for selling over 1 million digital copies.[111]

Music video [edit]

Background and release [edit]

A music video for the song premiered on CMT, MTV and TeenNick on August thirty, 2012, at 7:49 pm Eastern time, and later on on MTV.com, CMT.com, and VH1.com the same day at viii:00 pm Eastern time. The video is directed by Declan Whitebloom, with whom Swift has worked on the music videos for both "Mean" and "Ours".[12] The video was shot like a popular-up volume using a Sony F65 CineAlta camera with Leica 25 mm Summilux-C lens in one continuous shot with no editing, and features five sets and Swift in every bit many outfits.[112] It is also the first music video to be featured in 4K resolution.[113] Co-ordinate to Swift, she wanted the video to exist every bit "quirky as the song sounds" and stated that "There's just knitting everywhere; there's simply random woodland creatures popping up."[38] Prior to the video's release, a fourteen-2d preview was released past CMT on their official YouTube on August 30, 2012.[114] Every bit of September 2021, information technology has over 674 million views on YouTube.[115]

Synopsis [edit]

The video, which is done as i continuous shot,[116] begins with Swift in colorful pajamas recounting the events of her off and on again relationship with her ex-boyfriend (played past Noah Mills). The video then segues into Swift going into her living room where her band is dressed upwardly in animal costumes and Swift belts out the chorus of the vocal. The video then goes to a Goggle box where Swift says "Similar, ever." and so to the dining room where we run into she returns to recounting the events of her relationship and receives a telephone call from her ex who is calling her from a nightclub. Swift hangs upwardly on him and he walks off screen into the nightclub. It and then goes to the two in a truck having an statement then to them having a stroll in the park. Swift and then runs off and we see her on the phone telling the person on the other line how she and her ex are not getting dorsum together and her frustration of their unabridged relationship. The video then segues back to Swift's living room where a party is going on and her ex shows up unannounced trying to woo her back and she slams the door in his face. The video ends with Swift on her window ledge where she was at the starting time of the video, singing the concluding line of the song.[117]

Reception [edit]

James Montgomery of MTV praised the video stating that the video is "truly a care for to watch".[118] Jim Farber of the New York Daily News comment on the video was that "[Swift's] tone and demeanor in the clip is conversational and sarcastic, ideally suited to simulating intimacy with her massive teen girl fan-base."[119] Carl Williott of Idolator commented on the video's content and stated "what more could yous ask for in a visual for a #1 pop smash?"[120] Rolling Rock called information technology "flinging strong-willed sass".[121] David Greenwald of Billboard stated that the video "is a quirky celebration that finds Swift singing and dancing with band members in animal costumes in between human relationship flashbacks -- all filmed in an elaborate long shot. Swift wears large glasses and a pair of printed pajamas as she shrugs off her not-so-prissy ex-young man, a scruffy, seemingly older musician-type with a penchant for drama."[122]

Live performances [edit]

Swift on the Red Tour

Swift performing "We Are Never Ever Getting Back Together" on the Crimson Bout in 2013

Swift performed the song live for the first time at the 2012 MTV Video Music Awards on September half dozen, 2012, which was held at the Staples Eye in Los Angeles.[12] [123] Swift was the terminal performance of the night and, wearing a red and white striped shirt and black shorts, began her performance in an area resembling a recording studio earlier taking the stage along with her back-up singers, dancers and band (in animal costumes) took the stage.[124] Swift besides performed the vocal live at the iHeartRadio Music Festival in 2012 and 2014. During her visit to Brazil, she performed the vocal on TV Xuxa and during a concert in Rio de Janeiro on September thirteen, 2012.[125] [126]

Swift performed the song on the British version of The 10 Factor on October 14, 2012.[127] She performed the song on the German language Television set show Schlag Den Raab.[128] On Jan 25, 2013, Swift performed "We Are Never E'er Getting Dorsum Together" at the Los Premios xl Principales in Spain.[129] The next day, she performed information technology in Cannes, France, during the NRJ Music Awards.[130] On February 10, 2013, Swift performed the song at the 2013 Grammy Awards, opening the ceremony. She performs the vocal on her Red Tour nightly equally the finale. A rock version of the song was performed on The 1989 World Bout. More recently, the song was performed every bit a mashup with "This Is Why We Can't Have Prissy Things" as the finale on Swift'southward Reputation Stadium Tour. Swift performed the song on the iHeartRadio Wango Tango on June 1, 2019. On Dec eight, she performed an acoustic version of the vocal at Upper-case letter FM's Jingle Bell Brawl 2019 in London.[131]

Parodies [edit]

The song and video were parodied by teddiefilms in the style of Breaking Bad. The parody, called "We Are Never Ever Gonna Cook Together," was uploaded to YouTube on October 18, 2012.[132] The 22nd episode of Grey's Anatomy 'south 10th flavour is titled "Nosotros Are Never Ever Getting Dorsum Together".[133] On September eight, 2012, YouTube star Shane Dawson, parodied the vocal, releasing a studio version[134] and a music video on his YouTube channel.[135] Sky News remixed portions of speeches by David Cameron to make information technology announced as though he was reciting the chorus as promotion for their coverage of the 2014 Scotland Independence Referendum.[136]

Credits and personnel [edit]

Credits are adapted from the liner notes of the CD single.[137]

  • Taylor Swift – lead vocals, author, producer, bankroll vocals
  • Max Martin – producer, writer, keyboards
  • Shellback – producer, writer, guitar, bass, keyboards, programming
  • Tom Coyne – mastering
  • Eric Eylands – assistant recording
  • Serban Ghenea – mixing
  • John Hanes – engineer
  • Sam Holland – recording
  • Michael Ilbert – recording
  • Tim Roberts – assistant engineer

Charts [edit]

Certifications [edit]

Release history [edit]

"Nosotros Are Never Always Getting Back Together (Taylor's Version)" [edit]

"Nosotros Are Never E'er Getting Back Together (Taylor'south Version)"
Song by Taylor Swift
from the album Ruby (Taylor's Version)
Released Nov 12, 2021 (2021-11-12)
Genre
  • Dance-popular
  • pop rock
  • bubblegum pop
  • electropop
  • electro-folk
Length 3:13
Label Republic
Songwriter(s)
  • Taylor Swift
  • Max Martin
  • Shellback
Producer(s)
  • Christopher Rowe
  • Taylor Swift
  • Shellback
Lyric video
"Nosotros Are Never Ever Getting Back Together (Taylor'south Version)" on YouTube

Swift re-recorded "We Are Never Ever Getting Back Together", subtitled "(Taylor'south Version)", for her 2nd re-recorded album, Red (Taylor's Version), released on November 12, 2021, through Republic Records.[196]

Reception [edit]

Reception of the vocal mainly involved observations of her delivery of certain phrases and words. Critics observed a dissimilarity between the "wee-ees"southward of the original version and the rerecorded version, with Olivia Horn of Pitchfork claiming they were more cloying than on the original version. [197] Rob Sheffield of Rolling Stone stated that the song included "a little actress venom" when she delivered the words "trust me". [198] According to Hannah Mylrea of NME, Swift'south vocal maturity can be observed in the spoken-word moments, including in the line: "With some indie record that's much cooler than mine". [199] Stephany Gehrig, writing for The Daily Titan, noted that the "we" sounded "high-pitched and weird" on the chorus. [200] Multifariousness posed the question as to whether the delivery of "What?" on the track was more or less insolent. [201]

Epigram'south Sarah Lewis stated that "former favourites" similar We Are Never Ever Getting Back Together sound "cleaner and fresher than ever". [202]

Charts [edit]

See as well [edit]

  • List of Billboard Hot 100 number-one singles of 2012
  • Listing of Billboard number-1 country songs of 2012
  • List of number-1 digital songs of 2012 (U.South.)
  • Listing of Canadian Hot 100 number-one singles of 2012
  • List of number-1 singles from the 2010s (New Zealand)

Footnotes [edit]

  1. ^ The record was broken by Adele's 2015 unmarried "Hello" (2015), which sold over 1.one million digital copies in its starting time week.[eighty] [81]
  2. ^ The record was broken by Bebe Rexha'southward "Meant to Be" (2017) featuring Florida Georgia Line, which spent 35 consecutive weeks at number i.[87] [88]

References [edit]

  1. ^ "Grammy Awards Winners & Nominees for Tape Of The Twelvemonth". The Recording Academy. Archived from the original on November 17, 2017. Retrieved June ii, 2021.
  2. ^ Effron, Lauren (August 13, 2012). "Taylor Swift Reveals New Album, 'Crimson,' Drops New Unmarried, 'We Are Never Ever Getting Dorsum Together': ABC Exclusive". ABC News. Archived from the original on Oct 15, 2017. Retrieved August fourteen, 2012.
  3. ^ Wolff, Kurt (Jan 16, 2013). "Behind The Song: Taylor Swift 'We Are Never Ever Getting Back Together'". CBS Local. Baltimore. Archived from the original on February ane, 2013. Retrieved January 16, 2013.
  4. ^ Taylor Swift (Baronial 13, 2012). "Taylor Swift Web Conversation and G+ Hangout". YouTube. Google Inc. Archived from the original on November 23, 2020. Retrieved August 17, 2012.
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Source: https://en.wikipedia.org/wiki/We_Are_Never_Ever_Getting_Back_Together

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